Example result illustrating this prompt's visual direction. Actual results may vary by model, reference image and settings.
Waterfall Hair Flow Double Exposure
Blend a waterfall into long hair while keeping the cascade separate from facial anatomy.
Prompt
Use the uploaded reference photo to create a polished double-exposure photographic artwork. The ideal source is a portrait with long hair falling over one shoulder. Preserve the reference subject's identity or identifying structure, original pose, proportions, and viewpoint; do not invent unseen facial detail or change age, skin tone, expression, or anatomy. Combine the source with a generated secondary photographic exposure using tonal blending and a carefully feathered silhouette mask, so both exposures remain legible rather than appearing as a pasted collage. Guide a narrow waterfall through the outer hair mass, with rocky ledges inside the lower hair and shoulder. Preserve the hair silhouette and let strands remain visible through water highlights. Leave the face clean, with soft forest reflections only near the outer hairline. Use charcoal rock, cool white water, and muted moss against pale gray; avoid water pouring from eyes or mouth. Deliver one finished image in a 4:5 portrait composition, expanding only the neutral background when needed to avoid cutting off the subject. Keep crisp defining edges, smooth exposure transitions, controlled highlights, and natural photographic detail. Add no captions, typography, borders, watermarks, or additional subjects.
How to use it
- Upload a portrait with long hair falling over one shoulder; use an image you have permission to edit.
- Paste the prompt and request the double-exposure transformation, using your photo as the subject reference.
- Check defining features and the overlap placement; use a failure fix below if the second exposure hides important details.
Common failure fixes
- If water appears to emerge from the face, shift the entire cascade into the outer hair mass.
- If the subject loses recognizable features or structure, restore the reference exposure in those areas and reduce the secondary layer opacity.
- If the result looks like a cutout collage, blend the secondary exposure through the subject's shadow tones and soften the internal mask edges without blurring the outer silhouette.